Buddhist Textiles

(diese Zusammenstellung entbehrt jeden Anspruch auf Vollständigkeit, für weiterführende Hinweise ist der Autor dankbar – this compilation lacks any pretense of completeness, the author is grateful for additonal references)

Brinker, Helmut und Kanazawa, Hiroshi; Zen –Meister der Meditation in Bildern und Schriften. Zürich 1993.

Boston, Museum of Fine Arts; Bosuton Bijutsukan Nihon bijutsu chosa zuroku : Dai 1-ji chosa, butsuga, butsuzo, butsugu, kesa, nomen, suibokuga, shoki Kana-ha, Rinpa (Japanese Edition). Boston, 1997.

Brix, Walter; Der goldene Faden : Bestandskatalog der Textilien aus China, Korea und Japan im Museum für Ostasiatische Kunst Köln. Köln 2003.

Dusenberg, Mary M.; Flowers, Dragons & Pine Trees – Asian Textiles in The Spencer Museum of Art. Vermont 2004.

Eihei, Dogen; Nearman, Hubert (transl.); Shôbôgenzô; Mt. Shasta, California, 2007.

Faure, Bernhard; “Quand l´habit fait le moine – The Symbolism of the kâsâya in Chan/Zen Buddhism” in: Cahiers d’ Extreme-Asie. No 8 (1995) 335 – 368.

Forler, Cara Marie; The Japanese Kesa: a patchwork of meanings University of Oregon, 2000.

Griswold, Alexander B.; „Prolegomena to the Study of the Buddha’s Dress in Chinese Sculpture I – II“ in: Artibus Asiae Vol. 26 (1963) 85-131 und Vol. 27 (1964-1965) 335-348.

Günther, Robert und Reese, Heinz-Dieter (Hg.); Auf Buddhas Pfaden zur Erleuchtung. Köln 2002.

Inagaki, Hisao; A Dictionary of Japanese Buddhist Terms. Kyôto: Nagata Bunshodo 1988.

Katagiri, Tomoe; Study of the Okesa, Nyoho-e, Buddha’s robe. Mineapolis 2000.

Kennedy, Alan; “Kesa: Its Sacred And Secular Aspects” in: The Textile Museums Journal. Vol. 22. Washington 1983.

Kennedy, Alan; Manteau de nuages : kesa japonais XVIIe – XIXe siècles. Paris 1991.

Kennedy, Alan; Japanese Costume – History and Tradition. London 1994.

Kennedy, Alan; „A Ritual Garment of Japan: The Buddhist Kesa“ in: In Quest of Themes and Skills – Asian Textiles. 112 ff. Bombay 1989.

Kieschnick, John; „The Symbolism of the monk’s robe in China“ in Asia Major 12/1: 9.32.

Kirihata, Ken; „Brocade Ôhi-Stole with Design of Sanmen-jôju and Katsuma, Owend by Ninna-ji temple, Kyoto“ in: The Kyoto National Museum Bulletin. S. 104ff. Kyoto 1990.

Kirihata, Ken; „Kesa Vestment of the Shichijô Type, and Inner Vestment“ in: Aspects of the Art of Tendai Buddhism,The Ueno Memorial Foundation for Study of Buddhist Art, Report No XVI. Kyoto 1988.

Kirihata, Ken; „The Kujô-gesa worn by Priest Kûkoku Myô-ô“ in: The Kyoto National Museum Bulletin. S. 103ff. Vol. 4. 1982.

Kirihata, Ken; „The Transpmittance of Buddhist Robes“ in: The Arts of Zen Buddhism, The Ueno Memorial Foundation for Study of Buddhist Art, Report No X. Kyoto 1981.

Kodo, Sawaki; „The Kesa“ in: Bulletin Zen. No 55. Paris o. J.

Koop, Albert J.; Guide to the Japanese Textiles. Part II. Costume. London 1920.

Kyuma, Keichû; Kesa no Hanashi, Butsu no kokoro to Katachi. Tokyo 1989.

Luo, Wenhua; The dragon robe and the Kasaya (two volumes). Beijing, 2011.

Lyman, Marie; „Distant Mountains : The Influence of Funzô on the Tradition of Buddhist Clerical Robes in Japan“ in: The Textile Museum Journal Vol. 23. Washington 1984

Maruyama, Nobuhiko; Jidai o kataru senshoku – sumiga no aru kinsei no senshoku (Fabrics of History – Premodern Textiles with Inscriptions). Sasô 1997.

Nishimura Morse, Anne and Crowell Morse, Samuel; Object as Insight : Japanese Buddhist Art & Ritual. New York 1995.

Mitsumori, Masashi (ed): The Treasures of the Shôsôin – Buddhist and Ritual Implements. Kyoto, 1993.

Müller, Claudius (Hg.); Zen und die Kultur Japans: Klosteralltag in Kyoto; mit 100 Fotografien aus dem Kloster Tenryuji von Hiroshi Moritani. Berlin 1993.

Ogasawara, Sae; “Chinese Fabrics of the Song and Yuan Dynasties Preserved in Japan” in: Orientations, vol. 20, no. 8, August 1989, pp. 32 – 44.

Reynolds, Valrae; Japanese Textiles from the Marjorie and Robert Graff Collection. Ausstellungskatalog. The Newark Museum 1978.

Riggs, Diana E.; “Fukudenkai; Sewing the Buddha’s Robe in Contemporary Japanese Buddhist Practice” in: Japanese Journal of Religious Studies 31/2: 311-356. 2004 Nanzan Institute for Religion and Culturen.

Selkirk, Jean; Buddha’s Robe Is Sewn: The Tradition of Sewing Practice in the Shunryu Suzuki-Roshi American Lineage : a Collection of Quotes and Commentaries. San Fransisco Zen Center 2005.

Shinohara, Koichi; The Kasaya Robe of the Past Buddha Kasyapa in the Miraculous Instructions Given to the Vinaya Master Daoxuan (569~667), in: Chung-Haw Buddhist Journal No.13.2 (May 2000), pp.299-367.

Till, Barry and Swart, Paula;Kesa : The Elegance of Japanese Monk’s Robes. Victoria 1996.

Till, Barry and Swart, Paula; “The Elegance and Spiritualty of Japanese Kesa” in: Arts of Asia, vol. 27, no. 4, pp. 51 – 66.

Whitfield, Roderik & Farrer, Anne: „Textiles from Dunhuang“ pp. 108 – 137 in: Caves of the Thousand Buddhas – Chinese art from the Silk Route. London, 1990.

Yamanaka, Aki; „Omu’e Dream Surplice“ in: The Kyoto National Museum Bulletin. Vol. 24, may 2002.

Yamanaka, Aki; Transmitting Robes, Linking Minds : The World of Buddhist Kasaya. Kyoto, 2010.

Online:

The collection of Buddhist Textiles from the Metropolitan Museum of Art, New York